Technical stuff...
The Pro Tools suite is made up of a G5 Powermac, Pro Tools 7 & DV Toolkit, a Mackie control surface, Yamaha MX3P monitor speakers, and various other hardware including firewire drives, ADVC converter, DAT recorder, PPM meters, etc.
There’s a large sound fx library, which can instantly be searched and auditioned. Foley fx recording is also no problem, nor is recording atmos and fx on location with Schoeps stereo mics.
There are a wide range of broadcast standard plug-ins by Waves, Digidesign, etc which make for creative sound design work. And excellent compressor/limiter and EQ plug-ins to level out volume and make the mix punchy and bright... they also help to ensure the sound mix adheres to broadcast delivery requirements.
For video monitoring, full quality digital video is streamed to a widescreen monitor. It makes for a good place to view material, and helps to mix sound accurately.
Voiceover...
The voiceover booth is quiet and acoustically treated. There is a Rode NT1000 studio condenser mic and pop-shield which sounds excellent for VO, and good talkback and headphone monitoring facilities. There’s also a second video monitor in there for recording in sync to picture.